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Scene List

Scenes Scene 1 of 10

Harper House Driveway

Exterior · Morning · about 75 s · 3 parts · Frankie Harper, June Harper
Processed ♻ Rebuild the prompts ↺ Reset scene

Checks

read from this scene's screenplay, shots and prompts each time the page opens — free, nothing is sent
Every check passed: every line and beat is played, every reference has an asset, nothing contradicts the Story facts.
Voices No voice sample for @frankie-harper, @june-harper: each render chooses the voice from its description, so it can sound different from one clip to the next.Optional: a short sample in Character Studio (Voice) keeps the voice the same in every clip.

Fix with AI

say what is wrong in a take - the fix goes into this scene's Story facts, so every part and view gets it once the scene is re-processed
✨ Fix with AINothing is written until you press Apply.

Assets

everything this scene needs6 with plates 4 described 0 not ready

Cast

Frankie HarperLook: Desert Free Spirit@frankie-harper:desert-free-spirit ReadyChange lookReplaceRegenerate ↗Use description instead
June HarperLook: Corporate Exile@june-harper:corporate-exile ReadyChange lookReplaceRegenerate ↗Use description instead

Location

Harper House Driveway@harper-house-driveway ReadyReplaceRegenerate ↗Use description instead
This scene’s settingFeatures a dusty, unpaved driveway running alongside a modest white house with a yellowing front lawn. Edit setting

Props

Buffing Rag@buffing-rag ReadyReplaceRegenerate ↗Use description insteadRemove from this scene
June's Rolling Suitcase@junes-rolling-suitcase ReadyReplaceRegenerate ↗Use description insteadRemove from this scene
Dad's Handwritten Note@dads-handwritten-note ReadyReplaceRegenerate ↗Use description insteadRemove from this scene

Vehicles

The Belle (1968 Convertible)@the-belle-1968-convertible ReadyReplaceRegenerate ↗Use description insteadRemove from this scene
Rideshare Sedan@rideshare-sedan ReadyReplaceRegenerate ↗Use description insteadRemove from this scene

Animals

Hank@hank ReadyReplaceRegenerate ↗Use description insteadRemove from this scene

Background

Rideshare Driver@rideshare-driver Described in the promptAdd descriptionNeeds a plateUse existingRemove from this scene

Removed from this scene

Junes Blazer@junes-blazerPut back
White House Sprinklers@white-house-sprinklersPut back

Sound

Quiet desert morning environment: light wind rustling dry brush, distant highway hum, and morning desert bird calls.

The rhythmic ticking and watery hiss of the lawn sprinklersEngine idle and tires of the rideshare sedan rolling over gravel and asphaltThe heavy 'thud' of a modern car door closingSqueaking friction of a microfiber rag on polished metalMasking tape peeling off the steering wheelHank's heavy paws on the porch steps and dirt path

Narrated walkthrough

18 paragraphs · 3 parts of up to 30 s · edited Edit AI fix… Re-polishRevert to auto
@ready has a plate@look base plate only@described written into the prompt@missing no asset with this name10 ready · 0 base plate · 1 described · 0 missing
Split a long scene with Split here between two paragraphs: each part renders as its own clip (up to 30 s), so its action has time.
Part 1 of 3paragraphs 1–5 · 2 shots2 takes Render

Opens on Under a bright morning sun on the driveway of a white clapboard desert house, Frankie Harper, wearing silver bracelets, stands by the front fender of a cherry-red 1968 convertible and uses an off-white cotton rag to polish its hood, while Hank, an elderly basset hound, sits watching on the concrete porch step.

The morning sun hangs low and bright in a cloudless, pale blue sky, casting long, warm shadows across the flat concrete of the @harper-house-driveway. On the outskirts of the quiet desert town, the air is already warm and still, carrying the faint scent of dry earth and creosote. In the small front yard of the single-story white clapboard ranch cottage, the patchy, yellowing Bermuda grass.

Split here

Parked in the cracked, oil-stained driveway is @the-belle-1968-convertible. The cherry-red 1968 convertible gleams brilliantly under the morning light, its extensive chrome trim and wire-spoke hubcaps polished to a mirror-like shine. Every inch of the vintage car has been meticulously loved and maintained. Standing by the front fender is @frankie-harper, her dozen silver bracelets clinking softly with her movements. She works with a relaxed, unhurried grace, using a soft, off-white cotton @buffing-rag to polish the already immaculate red hood. On the rough concrete porch step of the house, @hank, the elderly tricolor basset hound with a heavily grizzled grey muzzle and long, velvety ears, sits quietly, watching her work like a patient foreman.

Split here

The quiet is broken by the low hum of an approaching engine. A modern, silver metallic @rideshare-sedan comes up the road from behind, entering frame from the left, driving toward the distant purple mountains, and pulls over at the curb by the post-mounted black mailbox, its passenger side facing the house. The @rideshare-driver is briefly visible behind the wheel. The rear passenger door opens, and @june-harper steps out onto the gravel shoulder. She is dressed in a sharp, tailored charcoal @junes-blazer, slim black trousers, and low heels, looking entirely out of place in the dusty desert setting. She grips the handle of @junes-rolling-suitcase, which is covered in old airport baggage claim stickers. The rideshare sedan pulls forward and quietly drives away down the road toward the mountains. June stands at the edge of the property, her posture tense and defensive as she looks at the white house as if it might bite.

Split here

Frankie stops buffing the car. She rests her hand on the polished red metal of the hood, looking across the yard at her sister.

Split here

@frankie-harper "You came."

Part 2 starts here remove
Part 2 of 3paragraphs 6–12 · 1 shot2 takes Render

Opens on At the edge of the property by the dusty shoulder, June Harper stands tense and defensive in a charcoal blazer and black trousers, holding her stickered rolling suitcase, while Frankie Harper stands by the front fender of the red convertible in the driveway, and the elderly basset hound Hank is near the concrete porch step.

June keeps her grip tight on her suitcase handle, her voice measured and tightly controlled.

Split here

@june-harper "He asked."

Split here

Frankie's expression hardens slightly, her West Coast drawl carrying a hint of long-held resentment.

Split here

@frankie-harper "He asked eleven years ago too."

Split here

June lets the remark land, her face remaining guarded as she stands on the dusty shoulder. Breaking the silence, Hank slowly waddles down the concrete porch steps with a rhythmic, low-slung gait. He walks across the dry grass to June and gently presses his heavy, dome-shaped head against her shin. For just a second, June’s corporate steeliness slips, and her face softens as she looks down at the old dog.

Split here

Frankie turns to the convertible. She reaches into the open, roofless cabin and pulls @dads-handwritten-note from the red steering wheel, where it has been secured with a piece of tape. She walks over and holds the folded paper out to her sister.

Split here

The shaky blue ink on the folded paper is written in their late father's hand, reading: "Lake Ada. Both of you. Take the Belle. Hank rides shotgun."

Part 3 starts here remove
Part 3 of 3paragraphs 13–18 · 2 shots1 take Render

Opens on Near the red convertible in the driveway, Frankie Harper, wearing clinking silver bracelets, holds out a folded, handwritten paper note to her sister, June Harper, who stands nearby in a charcoal blazer, while Hank, the basset hound, rests on the ground near them.

June reads the shaky blue writing once, then a second time. Her expression tightens again. She folds the paper back up and slips it into the pocket of her charcoal blazer. She looks past Frankie at the cherry-red convertible.

Split here

@june-harper "Fine. I'm driving."

Split here

Frankie lets out a dry, incredulous breath, her silver bracelets jingling as she gestures toward the open road.

Split here

@frankie-harper "You don't even know the way."

Split here

June lifts her chin, her posture rigid and determined as she prepares to take the keys.

Split here

@june-harper "I know the way."

Start frame

the picture each part opens on — made and approved here, used when the part is rendered
Part 1Approved — renders open on it · opens on S1-MASTER-AChange
No start framePart 2None yet — renders start from the reference pictures · opens on S1-SH03Make the start frame
No start framePart 3None yet — renders start from the reference pictures · opens on S1-SH04Make the start frame

Screenplay

as written
1EXT. @[harper-house-driveway] - MORNING

A small white house at the edge of a desert town. @[white-house-sprinklers] tick across a yellowing lawn.

In the driveway sits @[the-belle-1968-convertible]: a cherry-red 1968 convertible, chrome polished to a mirror. Every inch of her has been loved.

@[frankie-harper] (36), sundress, denim jacket, a dozen silver bracelets, buffs the hood with a @[buffing-rag].

On the porch step, @[hank], an old basset hound with a grey muzzle, watches her work like a foreman.

A @[rideshare-sedan] pulls up. @[june-harper] (44) steps out: @[junes-blazer], low heels, a @[junes-rolling-suitcase] that has seen a lot of airports. She looks at the house as if it might bite.

[frankie-harper]
You came.
[june-harper]
He asked.
[frankie-harper]
He asked eleven years ago too.

@[june-harper] lets that land. @[hank] waddles down the steps and presses his head against her shin. Her face softens, just for a second.

@[frankie-harper] pulls @[dads-handwritten-note] from the steering wheel, where it has been taped, and holds it out.

INSERT - @[dads-handwritten-note]

Dad's handwriting, blue ink, a little shaky:

"Lake Ada. Both of you. Take the Belle. Hank rides shotgun."

BACK TO SCENE

@[june-harper] reads it twice. Folds it. Pockets it.

[june-harper]
Fine. I'm driving.
[frankie-harper]
You don't even know the way.
[june-harper]
I know the way.

The scene

At the Harper family home on the edge of the desert, Frankie Harper buffs their late father's pristine red 1968 convertible. Her estranged sister June arrives in a rideshare sedan with her suitcase, returning after an eleven-year absence. After a guarded exchange and a warm greeting from their old dog Hank, Frankie hands June a handwritten note from their father instructing them to take the convertible to Lake Ada together. June reluctantly agrees and insists on driving.

Start frame