Scene List
Harper House Driveway
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everything this scene needs6 with plates 4 described 0 not readyCast
Location
Props
Vehicles
Animals
Background
Removed from this scene
Sound
Quiet desert morning environment: light wind rustling dry brush, distant highway hum, and morning desert bird calls.
The rhythmic ticking and watery hiss of the lawn sprinklersEngine idle and tires of the rideshare sedan rolling over gravel and asphaltThe heavy 'thud' of a modern car door closingSqueaking friction of a microfiber rag on polished metalMasking tape peeling off the steering wheelHank's heavy paws on the porch steps and dirt pathNarrated walkthrough
18 paragraphs · 3 parts of up to 30 s · edited Edit AI fix… Re-polishRevert to autoOpens on Under a bright morning sun on the driveway of a white clapboard desert house, Frankie Harper, wearing silver bracelets, stands by the front fender of a cherry-red 1968 convertible and uses an off-white cotton rag to polish its hood, while Hank, an elderly basset hound, sits watching on the concrete porch step.
The morning sun hangs low and bright in a cloudless, pale blue sky, casting long, warm shadows across the flat concrete of the @harper-house-driveway. On the outskirts of the quiet desert town, the air is already warm and still, carrying the faint scent of dry earth and creosote. In the small front yard of the single-story white clapboard ranch cottage, the patchy, yellowing Bermuda grass.
Parked in the cracked, oil-stained driveway is @the-belle-1968-convertible. The cherry-red 1968 convertible gleams brilliantly under the morning light, its extensive chrome trim and wire-spoke hubcaps polished to a mirror-like shine. Every inch of the vintage car has been meticulously loved and maintained. Standing by the front fender is @frankie-harper, her dozen silver bracelets clinking softly with her movements. She works with a relaxed, unhurried grace, using a soft, off-white cotton @buffing-rag to polish the already immaculate red hood. On the rough concrete porch step of the house, @hank, the elderly tricolor basset hound with a heavily grizzled grey muzzle and long, velvety ears, sits quietly, watching her work like a patient foreman.
The quiet is broken by the low hum of an approaching engine. A modern, silver metallic @rideshare-sedan comes up the road from behind, entering frame from the left, driving toward the distant purple mountains, and pulls over at the curb by the post-mounted black mailbox, its passenger side facing the house. The @rideshare-driver is briefly visible behind the wheel. The rear passenger door opens, and @june-harper steps out onto the gravel shoulder. She is dressed in a sharp, tailored charcoal @junes-blazer, slim black trousers, and low heels, looking entirely out of place in the dusty desert setting. She grips the handle of @junes-rolling-suitcase, which is covered in old airport baggage claim stickers. The rideshare sedan pulls forward and quietly drives away down the road toward the mountains. June stands at the edge of the property, her posture tense and defensive as she looks at the white house as if it might bite.
Frankie stops buffing the car. She rests her hand on the polished red metal of the hood, looking across the yard at her sister.
@frankie-harper "You came."
Opens on At the edge of the property by the dusty shoulder, June Harper stands tense and defensive in a charcoal blazer and black trousers, holding her stickered rolling suitcase, while Frankie Harper stands by the front fender of the red convertible in the driveway, and the elderly basset hound Hank is near the concrete porch step.
June keeps her grip tight on her suitcase handle, her voice measured and tightly controlled.
@june-harper "He asked."
Frankie's expression hardens slightly, her West Coast drawl carrying a hint of long-held resentment.
@frankie-harper "He asked eleven years ago too."
June lets the remark land, her face remaining guarded as she stands on the dusty shoulder. Breaking the silence, Hank slowly waddles down the concrete porch steps with a rhythmic, low-slung gait. He walks across the dry grass to June and gently presses his heavy, dome-shaped head against her shin. For just a second, June’s corporate steeliness slips, and her face softens as she looks down at the old dog.
Frankie turns to the convertible. She reaches into the open, roofless cabin and pulls @dads-handwritten-note from the red steering wheel, where it has been secured with a piece of tape. She walks over and holds the folded paper out to her sister.
The shaky blue ink on the folded paper is written in their late father's hand, reading: "Lake Ada. Both of you. Take the Belle. Hank rides shotgun."
Opens on Near the red convertible in the driveway, Frankie Harper, wearing clinking silver bracelets, holds out a folded, handwritten paper note to her sister, June Harper, who stands nearby in a charcoal blazer, while Hank, the basset hound, rests on the ground near them.
June reads the shaky blue writing once, then a second time. Her expression tightens again. She folds the paper back up and slips it into the pocket of her charcoal blazer. She looks past Frankie at the cherry-red convertible.
@june-harper "Fine. I'm driving."
Frankie lets out a dry, incredulous breath, her silver bracelets jingling as she gestures toward the open road.
@frankie-harper "You don't even know the way."
June lifts her chin, her posture rigid and determined as she prepares to take the keys.
@june-harper "I know the way."
Start frame
the picture each part opens on — made and approved here, used when the part is renderedScreenplay
as writtenA small white house at the edge of a desert town. @[white-house-sprinklers] tick across a yellowing lawn.
In the driveway sits @[the-belle-1968-convertible]: a cherry-red 1968 convertible, chrome polished to a mirror. Every inch of her has been loved.
@[frankie-harper] (36), sundress, denim jacket, a dozen silver bracelets, buffs the hood with a @[buffing-rag].
On the porch step, @[hank], an old basset hound with a grey muzzle, watches her work like a foreman.
A @[rideshare-sedan] pulls up. @[june-harper] (44) steps out: @[junes-blazer], low heels, a @[junes-rolling-suitcase] that has seen a lot of airports. She looks at the house as if it might bite.
@[june-harper] lets that land. @[hank] waddles down the steps and presses his head against her shin. Her face softens, just for a second.
@[frankie-harper] pulls @[dads-handwritten-note] from the steering wheel, where it has been taped, and holds it out.
INSERT - @[dads-handwritten-note]
Dad's handwriting, blue ink, a little shaky:
"Lake Ada. Both of you. Take the Belle. Hank rides shotgun."
BACK TO SCENE
@[june-harper] reads it twice. Folds it. Pockets it.
The scene
At the Harper family home on the edge of the desert, Frankie Harper buffs their late father's pristine red 1968 convertible. Her estranged sister June arrives in a rideshare sedan with her suitcase, returning after an eleven-year absence. After a guarded exchange and a warm greeting from their old dog Hank, Frankie hands June a handwritten note from their father instructing them to take the convertible to Lake Ada together. June reluctantly agrees and insists on driving.
